Make a Desperate Move Or Else You'll Win
I had a conversation this past weekend with a couple of friends on the merits of 24 versus Lost. I had to admit to both of them that I was not the best advocate on behalf of 24 due to my admitted Lost-homerism, but as I began thinking about truly engrossing seasons of television, a specter loomed in my past.
We've all had those times where we've been sucked in by a guilty pleasure television show whether it is American Idol, MXC, Project Runway, or The News Hour with Jim Lehrer. Okay, maybe that last one is just for the geriatric readers of Running Down a Dream, but you get the idea.
I'm sure this will all be dredged at some point in the distant future when I'm up for a job promotion/election/audition for world dictator for life, but I have to come clean. During my sophomore and junior years at ACU, I was a diehard, I mean diehard, fan of The O.C.
No.
Honestly, I have no idea how the series ended, but I can assure you of this: those first two seasons (particularly the first) were riveting television. I'm sure that part of the appeal is the legend that I have constructed in my mind, which may or may not bear an accurate resemblance with reality, but I've almost consciously avoided re-watching the show simply so I can remember it the way it was and not necessarily the way it is.
Perhaps it was the fact that we treated the weekly airings of the show as events where we would go to someone's house off-campus (obviously a big deal if you've lived in the life of an ACU underclassman) to watch the show. I can still remember the echoes of Jeff Buckley's cover of "Hallelujah" drifting away as the image of Seth Cohen's sailing voyage to Tahiti flickered across the screen at the end of Season 1. No one moved for about a minute as we all wished Seth well, and then shamefully remembered that he was no more real than the Texas Rangers' World Series hopes.
You can laugh at all of this and dismiss it as the quasi-sappy ramblings of someone who enjoyed a ridiculous primetime soap opera about the life of the beautiful people in Southern California, but I bet if you took some time, you could remember a television show, or season, that meant something special to you, even if you cannot place your finger on the exact reason why.
Plus, it allowed Alan Dale to continue honing his chops as the "evil father figure" Caleb Nichol, which he has now reprised as Charles Widmore on Lost.
That's almost worth the price of admission itself.
Labels: 24, Lost, Television, The O.C.
6 Comments:
Blues Traveler - Hook
Another excellent choice. A related, funny video: http://www.youtube.com/watch?v=OGnZNRlQn5k
Lost > 24. And I have to say that my lineup is one that is chock-full of “guilty pleasures“ TV. My latest: So You Think You Can Dance. This show is totally compelling. Take the format of American Idol and make it interesting - the variety of dance styles make it very interesting.
Commence the flogging.
The first season of the OC was excellent. I still remember the way the whole room would gasp when something shocking happened. Season 2 kind of dropped off for me, probably because I left ACU, and by the end I had quit watching it completely.
Also, "So You Think You Can Dance" is an excellent guilty pleasure. The dancing really is amazing, and the winner is always talented.
I hate to disagree with His Holiness, but Lost >>> 24.
Alan Dale also played the evil father figure in ABC's great-for-the-first-7/8-of-the-first-season Ugly Betty. Typecast? Or just acting naturally?
Correction--I only thought I disagreed with His Holiness. I see now that we agree. Please forget the first paragraph.
The main thing I remember about "The OC" is that it aired during'co-ed visitation hours' at ACU, which I believe were Thursday evenings.
Anyway, Micha Barton+Rachel Bilson*Garner (or is it Gardner?) Hall=Good Times.
Long Live the OC and 2004.
Ah, I miss our viewing nights at The Palace. And I stuck with "The O.C." until the bitter end (well, I missed a bit of season three). It got better in season four, I swear.
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